Liebes-Lieder Walzer, Op.114: Harp part (Qty 4) [A2094]

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The harps in illustrations from the Continent were usually "high-headed" harps, where the head (the junction of the neck and column) is higher than the top of the soundbox. Their only ambition seems to be to ornament their harps with silver and precious stones. So don’t let anyone tell you that only modern harps are chromatic! The commentaries of the rabbis are universal in that the �new song� will be sung when the messiah (Mashiach) comes. These events are a perfect opportunity to see and hear the instruments first-hand.

Pages: 0

Publisher: E.F.Kalmus (1933)

ISBN: B00UJ1IJOE

Pelléas et Mélisande, Op.80 (Suite (4 movements)): Harp part (Qty 3) [A1440]

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6 Lieder, Op.56 (Die heiligen drei Könige aus Morgenland (No.6) – for voice and orchestra): Harp 1 and 2 parts (Qty 4 each) [A3107]

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Un ballo in maschera (Act III, Aria: Eri tu che macchiavi): Harp part (Qty 7) [A3125]

Studies of Medium Difficulty: Harp Method

Feuillets de voyage, Op.26 (Arrangement for orchestra (composer)): Harp part (Qty 3) [A7578]

Caucasian Sketches Suite No.2, Op.42: Harp part (Qty 2) [A5669]

Feen-Märchen Walzer, Op.312: Harp part (Qty 4) [A6551]

Paul Mealor: Sleep On (Full Score). Partitions pour Soprano, Flûte Traversière, Harpe, Quatuor À Cordes, Carillons

La vida breve: Harp 1 part [A6744]

Concerto for Celesta and Harpsichord Soli

Piano Concerto No.4, H.358 'Incantation': Harp part (Qty 2) [A3208]

Trifles: Suite Music for Harpsichord

Paul Mealor: Sleep On (Full Score). Partitions pour Soprano, Flûte Traversière, Harpe, Quatuor À Cordes, Carillons

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