Images pour orchestre (Iberia (No.2)): Harp 1 part (Qty 2)

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This pin level difference was a fundamental characteristic of the Arpa de dos ordenes; it was what would cause the strings to cross, somewhere close to the neck and what would allow both hands to play either the chromatic strings or the diatonic ones. In the 1600s, the later Spanish or Renaissance harp was taken to the new world by Jesuit missionaries and developed in a completely different way. If you are reading this, it is because your browser does not support the audio element.

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Publisher: E.F.Kalmus (1933)


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